I was a mentor at the DIY Instrument Making and Hacking Masterclass run by Onnassis Stegi. A three day event with making sessions and performances by participants with instruments built during the event.
How can an electronic system be used as an interface of experimental enquiry?
Can you create an expressive interface for playing electronic music?
What is the importance of networks (humans) and decentralized knowledge in relation to technology?
Can you create an expressive interface for playing electronic music?
What is the importance of networks (humans) and decentralized knowledge in relation to technology?
How do you feel about DIY instruments, sensors, and controllers? This is a workshop open to musicians and aspiring hackers of all skill levels and disciplines, utilizing technology or not.
Onassis Stegi invites artists, musicians, sound engineers, designers and programmers in a three-day hackathon to collaboratively create new instruments and sounds, and explore new ways to make music.
Selected participants will have the opportunity to build new instruments and create their own compositions, and new ways to make music, noise & sound. The outcome of the workshop will be presented to the public on the last day through an open performance by the participants.
Mentors: Enrico Bertelli (UK), Alexandros Drymonitis (GR), Tina Dolinšek (SL), John Richards (UK, De Montfort University), Max Wainwright (Sweden) and Tara Pattenden (UK, in partnership with Music Hackspace).
Organized by: Heracles Papatheodorou, Dora Vougiouka
The event is part of the Interfaces project co-funded by the Creative Europe program of the European Union.
Organized by: Heracles Papatheodorou, Dora Vougiouka
The event is part of the Interfaces project co-funded by the Creative Europe program of the European Union.